Paul Klee A German and A Swiss Painter of Expressionism, Cubism, and Surrealism
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Paul Klee (18 December 1879 — 29 June 1940) was born in Münchenbuchsee, Switzerland, and is considered both a German and a Swiss painter. His highly individual style was influenced by movements in art that included expressionism, cubism, and surrealism. He was also a student of orientalism. Klee was a natural draftsman who experimented with and eventually mastered color theory, and wrote extensively about it; his lectures Writings on Form and Design Theory (Schriften zur Form und Gestaltungslehre), published in English as the Paul Klee Notebooks, are considered so important for modern art that they are compared to the importance that Leonardo da Vinci’s A Treatise on Painting had for the Renaissance. He and his colleague, the Russian painter Wassily Kandinsky, both taught at the German Bauhaus school of art, design and architecture. His works reflect his dry humour and his sometimes childlike perspective, his personal moods and beliefs, and also his musicality.

“First of all, the art of living; then as my ideal profession, poetry and philosophy, and as my real profession, plastic arts; in the last resort, for lack of income, illustrations.” —Paul Klee

Paul Klee early Arkworks:

Dame mit Sonnenschirm, 1883–1885, pencil on paper on cardboard, Zentrum Paul Klee, Bern
Third Invention: Jungfrau im Baum, 1903, etching, Museum of Modern Art, New York
Sixth Invention: Zwei Männer, einander in höherer Stellung vermutend, begegnen sich, 1903, etching, Paul Klee Centre, Bern

Paul Klee mystical-abstract period, 1914–1919

Fenster und Palmen, 1914, watercolour on grounding on paper on cardboard, Kunsthaus Zürich, Zurich
In den Häusern von St. Germain, 1914, watercolour on paper on cardboard, Zentrum Paul Klee, Bern
Föhn im Marc’schen Garten, 1915, watercolour on paper on cardboard, Lenbachhaus, Munich
Blumenmythos, 1918, watercolour on grounding on gauze on cardboard, Sprengel Museum, Hannover

Paul Klee ArtWork in the Bauhaus period and in Dusseldorf

Red/Green Architecture (yellow/violet gradation), 1922, oil on canvas on cardboard mat, Yale University Art Gallery, Yale University, New Haven, Connecticut
Senecio, 1922, oil on gauze, Kunstmuseum Basel, Basel
der Goldfisch, 1925, oil and watercolours on paper on cardboard, Hamburger Kunsthalle, Hamburg
Katze und Vogel, 1928, oil on ink on canvas on wood, Museum of Modern Art, New York
Hauptweg und Nebenwege, 1929, oil on canvas on stretcher frame, Museum Ludwig, Cologne
Ad Parnassum, 1932, oil colours, stamped lines, dots stamped in white colour and later repainted, on casein paint on canvas on tretcher frame, Kunstmuseum Bern, Bern

Paul Klee last Artwork in Switzerland

Zeichen in Gelb, 1937, pastel on cotton on coloured paste on jute on stretcher frame, Foundation Beyeler, Riehen near Basel
Nach der Überschwemmung, 1936, wallpaper glue and watercolours on Ingres paper on cardboard
Revolution des Viadukts, 1937, oil on oil grounding on cotton on stretcher frame, Hamburger Kunsthalle
Die Vase, 1938, oil on jute, Foundation Beyeler, Riehen near Basel
Heroische Rosen (Heroic Roses), 1938, oil on canvas, Kunstsammlung Nordrhein-Westfalen, Düsseldorf
Insula dulcamara, 1938, oil colour and coloured paste on newsprint on jute on stretcher frame, Zentrum Paul Klee, Bern
Ohne Titel (Letztes Stillleben), 1940, oil on canvas on stretcher frame, Zentrum Paul Klee, Bern
Tod und Feuer (Death and Fire), 1940, oil on distemper on jute, Zentrum Paul Klee, Bern

“Art does not reproduce the visible; rather, it makes visible.” —Paul Klee