Rembrandt van Rijn Famous Baroque Style Paintings | Video 24 of 26
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Rembrandt Harmenszoon van Rijn (15 July 1606 — 4 October 1669) was a Dutch painter and etcher. He is generally considered one of the greatest painters and printmakers in European art and the most important in Dutch history. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age when Dutch Golden Age painting, although in many ways antithetical to the Baroque style that dominated Europe, was extremely prolific and innovative.

It was not until the nineteenth and twentieth centuries, when scholars studied Rembrandt’s oeuvre as a whole, that it was discovered how very many times the artist had portrayed himself. The number is still a matter of contention, but it seems he depicted himself in approximately forty to fifty extant paintings, about thirty-two etchings, and seven drawings. It is an output unique in history; most artists produce only a handful of self-portraits, if that. And why Rembrandt did this is one of the great mysteries of art history.

Most scholars up till about twenty years ago interpreted Rembrandt’s remarkable series of self-portraits as a sort of visual diary, a forty-year exercise in self-examination. In a 1961 book, art historian Manuel Gasser wrote, “Over the years, Rembrandt’s self-portraits increasingly became a means for gaining self-knowledge, and in the end took the form of an interior dialogue: a lonely old man communicating with himself while he painted.”

Many of these traditional studies focused particularly on Rembrandt’s late self-portraits, as they reveal this rigorous self-reflection most profoundly. In an influential 1948 monograph on the artist, Jacob Rosenberg wrote of the ceaseless and unsparing observation which [Rembrandt’s self-portraits] reflect, showing a gradual change from outward description and characterisation to the most penetrating self-analysis and self-contemplation. … Rembrandt seems to have felt that he had to know himself if he wished to penetrate the problem of man’s inner life.