Jean-Baptiste-Camille Corot – French Painter – 500 Paintings Collection (Works of Art) (HD)
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Music by Claude-Achille Debussy
Paintings by Jean-Baptiste-Camille Corot

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Jean-Baptiste-Camille Corot (1796 – 1875) was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.

Two of Corot’s works are featured and play an important role in the plot of the French film L’Heure d’été (English title Summer Hour). The film was produced by the Musée d’Orsay, and the two works were lent by the museum for the making of the film.

There is a street named Rue Corot on Île des Sœurs, Quebec, named for the artist.

In Arthur Conan Doyle’s ‘The Sign of the Four’ Thaddeus Sholto has an unknown work of Corot on display

Jean-Baptiste-Camille Corot Artworks

Monk Reading Book, 1850–1855
The Bridge at Narni (1826), Musée du Louvre
Venise, La Piazetta (1835), Musée du Louvre
Le Baptême du Christ (1845–1847), Paris, Eglise Saint-Nicolas-du-Chardonnet
Une Matinée, la Danse des Nymphes (1850), Musée d’Orsay
Le concert champêtre (1857), Musée Condé, Chantilly
Macbeth and the Witches[72] (1859), Wallace Collection
Baigneuses au Bord d’un Lac[73] (1861), private collection
Orpheus Leading Eurydice from the Underworld (1861), The Museum of Fine Arts, Houston
Meadow by the Swamp, National Museum of Serbia
Vist of Castel Sant’Angelo, National Museum of Decorative Arts, Buenos Aires
Souvenir de Mortefontaine (1864), Musée du Louvre
L’Arbre brisé (1865)
Ville d’Avray (1867), National Gallery of Art
Femme Lisant (1869), Metropolitan Museum of Art, New York
Nymphes et Faunes (before 1870), Birmingham Museum of Art, Alabama
L’Albanese (1872)
Pastorale—Souvenir d’Italie (1873), Glasgow Art Gallery
Biblis (1875)
Stream with a White Horse, Toledo Museum of Art
Landscape (unknown), Bass-Dwyer Collection